Landmarks in Humanities ISE
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2 Classicism: The Greek Legacy
3 Empire: The Power and Glory of Rome
4 Revelation: The Flowering of World Religions
5 Synthesis: The Rise of the West
6 Christendom: Europe in the Age of Faith
7 Rebirth: The Age of the Renaissance
8 Reform: The Northern Renaissance and the Reformation
9 Encounter: European Outreach and Expansion
10 Baroque: Piety and Extravagance
11 Enlightenment: Science and the New Learning
12 Romanticism: Nature, Passion, and the Sublime
13 Materialism: The Industrial Era and the Urban Scene
14 Modernism: The Assault on Tradition
15 Globalism: Information, Communication, and the Digital Revolution
Glossary
Index
LANDMARKS is unique in several ways:
- It is interdisciplinary: it explores the interrelationship of various modes of expression - art, music, literature - as they work to create, define, and reflect the unique culture of a given time and place.
- It is thematic: each chapter advances a key idea, presented in the chapter title and explained in the introductory paragraph. The key idea offers a context for individual landmarks as they unfold chronologically. For instance, Chapter 1 (“Origins: The First Civilizations”) surveys our earliest cultures, emphasizing human strategies for survival and communal life; Chapter 14 (“Modernism: The Assault on Tradition”) considers the radical rejection of conventional values and styles that revolutionized early twentieth-century culture.
- It is selective: some landmarks have been chosen for their universality, some for their singular beauty, and some for their iconic or symbolic value. Certain landmarks - the Statue of Liberty, the Mona Lisa, the sonnets of Shakespeare - meet more than one of these criteria. The author’s choice of landmarks may differ from those of other individuals, and readers may wish to add landmarks of their own.
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